Music City Sings: A Festival of Choral Music
On Sunday, June 14th at 2:30 PM, we will be hosting Music City Sings: A Festival of Choral Music at the Cathedral of the Incarnation in Nashville. The event will feature renowned composer and conductor John Leavitt and will bring together singers, form across the country, and audiences for an inspiring afternoon of choral music.
This concert is free and open to the public, and we would love to welcome as many members of the community as possible. With that in mind, I’m hoping you might be willing to help us spread the word—whether through your website, social media, newsletter, or community calendar.
Event Details:
Music City Sings: A Festival of Choral Music
Sunday, June 14 2:30 PM
Cathedral of the Incarnation, Nashville
Free admission
The program is as follows:
Prelude: Instrumental
Missa Festiva
Kyrie (2:40)
Gloria (3:05)
Credo (2:05)
Sanctus (2:40)
Agnus Dei (2:55)
Symphony of Songs
Rejoice in the Lord (3:00)
Create in Me (3:50)
The Beautiful Treasure (4:20)
Come Let Us Sing to the Lord (3:30)
Shall We Gather at the River (5:00)
As Pants the Hart (3:00)
Praise to the Lord (3:15)
Inspirational set
O Love (3:50) original composition
Morning Has Broken (Traditional) A gentle song of gratitude and renewal, Morning Has Broken celebrates the gift of each new day. Its simple, hymn-like melody invites listeners to pause, reflect, and embrace hope, reminding us that every morning offers a fresh beginning filled with promise.
He Never Failed Me Yet (Robert Ray) Rooted in gospel tradition, He Never Failed Me Yet is a profound declaration of trust and faithfulness. Through its expressive harmonies and heartfelt intensity, the piece offers comfort and strength, affirming resilience, gratitude, and the enduring presence of hope.
Sikuyo (Emily Crocker) “Sikuyo,” arranged by Emily Crocker, is based on a traditional Zambian children’s song from the Bemba language. Often understood as a joyful song of welcome, the piece features lively rhythms, call-and-response patterns, and energetic vocal textures. Its vibrant, communal spirit makes it a favorite for choirs of all ages.
How Sweet the Sound (Amazing Grace) . . . Traditional arr. Leavitt (3:45)
